E-Books →Antike Malerei zwischen Lokalstil und Zeitstil Akten des XI. Internationalen Kolloquiums der AIPMA

The contributions focus particularly on those findings that offer a rich stock of materials in a well dateable archaeological context. In these, influences such as special transient trends, local workshop traditions and the personal influence of the client can become especially apparent. Chronologically, the contributions span from the Hellenistic period to late Antiquity, whereby this time, apart from Pompeii, the focus is placed on paintings of the later Roman Imperial period as well as late Antiquity, with studies on central monuments and important new findings. Topographically, all areas of the Roman Empire are covered, from the Vesuvian cities and Italy to Asia Minor, followed by the north-western and eastern provinces, the Orient and Africa.
In general, it becomes apparent that up to the mid-Imperial period the terms period style and local style are synonymous which can be used identically and can be traced to the centralistic structure of the Roman Empire and the role model of Rome. However, this changes considerably in later Imperial times and at first glance paintings from Rome (Ostia), North Africa and Ephesus follow different traditions, developments or local workshops with a greater variety of wall partitioning, color schemes and the use of décor elements and picture themes that cannot readily be explained by a joint conception of period style. The thematic contributions are complemented by several high quality and significant new findings.