E-Books →Espionage in British Fiction and Film since 1900 The Changing Enemy

In the realm of fiction, a glance at the fiction bestseller list will reveal the continuing appeal of novelists such as John le Carré, Frederick Forsyth, Charles Cumming, Stella Rimington, Daniel Silva, Alec Berenson, Christopher Reich-to name but a few-and illustrates the continued fascination with the spy novel into the twenty-first century, decades after the end of the Cold War. There is also a burgeoning critical interest in spy fiction, with a number of new studies appearing in recent years. A genre that many believed would falter and disappear after the fall of the Berlin Wall and the collapse of the Soviet empire has shown, if anything, increased signs of vitality.
While exploring the origins of the British spy, tracing it through cultural and historical events, Espionage in British Fiction and Film Since 1900 also keeps in focus the essential role of the "changing enemy"-the chief adversary of and threat to Britain and its allies-in the evolution of spy fiction and cinema. The book concludes by analyzing examples of the enduring vitality of the British spy novel and film in the decades since the end of the Cold War.
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