E-Books →The Oxford Edition of Charles Dickens Pictures from Italy

Pete Orford's introduction puts the work under the microscope to track the changes made across these several iterations and uncover the story of its genesis and development. Analysis of the few remaining manuscript pages and Orford's own travels through Italy help to unpick several mysteries of the text.
Previous editions of the work have been for general readership with critical essays that focus on the time Dickens spent in Italy (1844-5). This edition offers a different approach, supplementing this familiar story with the lesser discussed period of 1846 when Dickens, back in London, first turns his various letters into newspaper correspondence, then a monograph, whilst battling the pressures of launching a daily newspaper and planning a new novel. Dickens's time in Italy defines the content of the book, but it is his subsequent time in London which defines its shape and structure.
This edition reproduces in situ the original illustrations provided by Samuel Palmer for the first edition of 1846, with further illustrations provided for subsequent editions contained in the appendices.
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